Nagoya (名古屋)

Tuesday 17 June 2014 0 comments

This weekend I had a little trip down to Nagoya. Well, I say “went”, but that’s a wee bit of an exaggeration: I arrived Friday evening and left 4pm the following day. But if all you want to see is Nagoya-only things and/or have no interest in the car industry (Toyota, Honda and Mitsubishi, Nagoya is home to all three of those), then that’s just perfect.


Right after arriving my host along with his girlfriend took me to an izakaya which was supposed to be well-known for it’s Nagoya food. And as I often do, because I never remember that I live in 2014, I only remembered to take pictures of all this food once it was in my tummy. I only managed to take a picture of tenmusu (天むす), that is a small prawn tempura stuck into an onigiri (nori-wrapped rice). I left the nori out, since I don’t like it, but if they had tenmusu in Kanazawa readily available, I’d happily convert to having onigiri for lunch. Seems like a little, but it was tasty and you can get full on it pretty quick.
Aside from that, Nagoya is famous mainly for the so called miso-katsu (味噌カツ), a fried pork cutlet with a rich, red miso sauce (though other meats are available as well), and fried chicken wings, tebasaki (手羽先). I cannot even begin to tell you how gutted I was when I discovered that those chicken wings, which I absolutely adore, are an evening-only thing, because it’s customary to have them as a side with beer. I also must say that while Japanese food is not usually something I go for, I’d be quite content in Nagoya since there’re plenty of interesting meats, and not just noodles and fish, readily available and yummy. I think I might go back to Nagoya before coming back home, for some shopping and those tebasaki

Tenmusu is indifferent to its fate.

Tebasaki.
http://mycolorm.exblog.jp/3234916

Miso-katsu, here a chicken one with mayo on top. I know it sounds weird, but I promise it was great!

Sightseeing took me all Saturday, from morning up until my departure. It may sound a tad weird, but you really can see all there is to see in that time, unless you’re interested in some car-related places or expensive museums (I wanted to go to the Tokugawa Art Museum, but they charge Y1200/£7 just for entry, which is a bit too much for me). What’s more, pretty much all of those places are within walking distance of each other, if you only have time and want to stroll instead of taking the underground. Technically, you can do that in tons of places, but when you think that Nagoya is the third largest incorporated city in Japan and also the fourth largest in terms of population, the whole matter gets a little more perspective.
I started with the Shinto shrine, Atsuta Jingū (熱田神宮), which is good 1900 years old now (!), and which is most famous for keeping the sacred sword, Kusanagi no Tsurugi (草薙神剣), one of the three Imperial regalia. Sadly, the ‘unworthy’ are not allowed to see the sword, so I can’t tell you what it looks like. But, as it often happens, I stumbled upon a Shinto wedding ceremony (a few more of those and I’ll be able to puzzle up the whole thing!); it was also the first time I was sightseeing with a Japanese person, my host, so I got to know a little bit more than I usually would. Most of the times the names of all those deities and what do they protect is too complicated for me, maybe if I had some interest in this kind of stuff I’d know more, but as it is I’m simply happy that there is a deity in any given shrine. And so that day I stumbled upon a small shrine dedicated to a deity that keeps travellers safe (and, since it seemed adequate, asked for some protection for my next trip) as well as a tree deity (fittingly, enshrined in a tree). On top of seeing the main shrine and the second, smaller, kind of a shrine within a shrine, Kamichikama-jinja, that is. Also, for the first time, I’ve done what plenty of Japanese people do when visiting shrines: I bought an omikuji (おみくじ), a fortune. If I am to believe what it says, then I have a small blessing (小吉, shō-kichi) in store for me, and specifically: I have good things coming, but I need to wait, and if I’ll be too merry, then bad things may happen, so I should be careful. I tend to take these things with a grain of salt, but actually, a small blessing seems just right for me – it fits my life motto of finding happiness in little things.


Tree deity.


Main shrine.


Fortunes and amulets.

My fortune.








From Atsuta Jingū I went to the next place, a Buddhist temple called Osu Kannon (大須観音). It’s kind of hard to miss, it really stand out with this kind of red. Apparently every now and then there’s a flea market taking place there, but sadly, not when I arrived. Since the god at Osu Kannon looks over relationships, most people there pray to find love or get married. I know, it’s a Buddhist temple and I’m on about gods instead of Buddha – but in Japan they sort of got their religions mixed, and since the Japanese are more superstitious than religious, even they don’t always understand how it all works, they only know where to pray for what and where to celebrate which of life’s important events. That’s the easiest way I can explain it without going into details which even I don’t think I have straight, so I’d rather not confuse you any more.
From Osu Kannon I went into the nearby market street, one which was market by one of the most awesome graffiti I have ever seen. It was basically a street full of shops like you’d see pretty much everywhere: some knick-knacks here, a coffee shop there, a few more interesting bits… The main reason I went there was because there was a shop with used Lolita clothing that I wanted to visit, but I’ll talk about Lolita some other time.








Entrance to the shopping street.

At the end of this trip I went to the most obvious place: the Nagoya Castle (名古屋城, Nagoya-jō). Shame that a big chunk of it was under construction, so it either ruined otherwise pretty pictures or meant no access to certain places, but castles in Japan are a bit like temples and shrines: they mostly look the same except for a few architectural details. Fortunately, to make the visit a bit more interesting, there was some sort of re-enactment going on, starring three samurai: Maeda Keiji (前田慶次); Maeda Toshiie (前田利家), feudal lord of what is now Kanazawa; and Tokugawa Ieyasu (徳川家康), the founder of shogunate in Japan, which began an over 200 years long period in Japanese history called the Tokugawa period. Why those three? Very simply speaking, both Maedas were in one way or another Tokugawa’s enemies and were fighting against him. And why have such a re-enactment in Nagoya? Firstly, because Tokugawa Ieyasu was from Aichi-ken, of which Nagoya is the capital city, so the castle belonged to him, and secondly – because of the Battle of Sekigahara (1600), which was a decisive one in clearing Ieyasu’s path to becoming Japan’s shogun. Although now it’s in Gifu-ken, there’s only about 30 miles from Nagoya to Sekigahara. And that’s it for the history. While looking at the photos below, and especially the video, do bear in mind that the day wasn’t just sunny, it was hot: good 30°C, no clouds and no breeze, while those gentlemen are waving their weapons about and the audience is sweating, fanning themselves and complaining that it’s hot. ;)


From left: Maeda Toshiie (green and grey), Tokugawa Ieyasu (white and dark blue) i Maeda Keiji (black and red). 



Gold-decorated rooms.








百万石まつり (Hyakumangoku Matsuri)

Sunday 8 June 2014 0 comments

Although all kinds of festivals, big and small, take place in Japan throughout the year, the majority of them (and some of the biggest ones) take place in summer. And this weekend Kanazawa was alive with the energy of Hyakumangoku Matsuri (百万石まつり).
Let me explain. “Hyakumangoku” means „million koku” – and koku is a unit of volume, rice in particular. One koku is enough rice to feed one person for a year and meaures approximately 23.6 stones.
And the festival itself is held to celebrate and commemorate the arrival of daimyo (feudal lord) Toshiie Maeda to Kanazawa in 1583. The name Hyakumangoku Matsuri came from the fact that Kanazawa and nearby areas, formerly known as Kaga-han (Kaga feudal domain), and which were ruled by the daimyos from Maeda clan, was known as the richest, albeit small, han producing one million koku of rice.
That’s all about history, but what about now? Well, like pretty much every other festival in Japan, this one is a chance to eat (what kind of a festival doesn’t have food stalls?) and to have some fun. And since it’s the biggest festival in Kanazawa, there’s plenty of opportunities for both – the whole thing lasts three days, from Friday to Sunday, just so that you can have enough fun to last you until the next big event.
And so on Friday, with a group of friends, we went to Higashi Chaya-machi, a geisha district, where the so called Kaga-yūzen Tōrō Nagshi (加賀友禅灯ろう流し), that is floating lanterns, hand painted with the tradition Kaga-yūzen method, on the waters of river Asano. Despite crowds coming to see that, and despite quite a poorly thought out stand with sponsors and VIPs, which was too bright, thus taking away some of the charm and ruining pictures, it was a truly enchanting event! On the one hand it looked like a sea of candles upon dark river waters, and on the other – like a swarm of fireflies slowly approaching down the stream. Add some live performances of taiko drummers and a Japanese singer performing quite traditional enka songs… Magic, absolutely magical!
You’ve no idea how much I’d love to share with you the full wonder of Tōrō Nagshi, alas!, my camera struggles a lot to take pictures in the dark without something to support it. And to make things worse, only after the whole thing I thought that I could just film it >.< So I’m sorry, but you’ll have to do with these poor quality pictures, because I can’t even knick some off my friends (none of them shared theirs yet).

Preparations.

First lantern.







And then on Saturday, the main day of the festival, the biggest thing happening was the parade. Technically speaking, it’s supposed to re-enact daimyo Maeda entering Kanazawa: how it could have looked like, who could have taken part etc. But out of about 2200 (!) people taking place, just over 700 were in modern clothes. Firefighters and the police, a few marching bands and acrobat-type performers, lots of kids and adults, simply speaking: Kanazawa was showing that it’s just as happy from its feudal lord today as it was in XVIth century. If it was up to me, I’d skip this modern part, the parade was long and slow enough without it, and citizens dressed in period costumes and playing various parts – farmers, priests, courtesans, warriors – made a much bigger impression than this US-Thanksgiving-Day-like part.
But this bit aside, I did watch the entire thing until I was rewarded with the sight of daimyo Toshiie Maeda coming. Apparently every year they ask some famous Japanese actor to do this, but I don’t know Japanese actors, full stop, so I can only rely on my friends’ comments that he was in fact famous. The pamphlet I got at the beginning of the parade tells me that this year Toshiie Maeda was played by Ryūji Harada (龍二 原田). I don’t know the guy, but when he passed me by on his horse, well, let me tell you, he can be my feudal lord anytime he wants. ;D A friend standing next to me and filming this bit even got me on camera spontaneously exclaiming “He’s quite cute”!









Female policemen (and male ones behind them, of course).

The girls were actually showing 百万石, but the 百 didn't fit.

Lion dance.

Priests carrying mikoshi (a portable shrine) from the Oyama Shrine.






Daimyo (finally!) arrives.

Toshiie Maeda's firstborn, Toshinaga Maeda.

Toshiie Maeda.





At the end of the day there was a big dance done by various people from Kanazawa, the so called Hyakumangoku Odori-Nagashi (百万石踊り流し). Anyone could take part (though I was fine just watching and cheering my dancing friends on), and probably every possible organisation delegated a group to represent them, from schools, through mobile companies all the way to Japan Post. Crowds were dancing, equally numerous crowds were watching and the general spirit of joy was contagious. It may seem like not too much, it’s essentially a gigantic, well organised march of people dancing at the same time, almost a flash mob, but when I was watching and listening, I felt the spirit of groupwork and all of us being one, sharing the local patriotism for Kanazawa; something like “it doesn’t matter where you’re from, right now all that matters is that in one way or another we’re from Kanazawa, so let’s celebrate that by having a good dance”.





If I ever manage to return to Kanazawa, I sincerely hope that I’ll catch another Hyakumangoku Matsuri. I’m still enchanted by the whole thing and even if during the day I complained a bit about the crowd, at the end of it all the magic of floating lanterns or thousands of people dancing as one truly won me over!

 
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